Macro lenses come in all different focal lengths and apertures. A longer focal length will offer more separation for the background. But getting close up shots on a macro level already provides significant softness. Many lenses allow you to switch off the close-up mode, which results in shooting like a normal lens. Buying a bright macro that doubles as a portrait prime can help stretch the budget.
Like with a telephoto, stabilisation is more important on a macro than a wide-angle. The close magnification will exaggerate any camera shake. Wedding photography involves storytelling. And sometimes you need a wider lens to capture the shots that tell the story. A prime 35mm is brighter and lighter than a wide telephoto lens. These are excellent for everything.
From capturing the entire ceremony setup in one shot to photographing the entire dance floor. A wedding photographer needs enough focal lengths to cover the wedding from start to finish. How many lenses that means is different for every photographer. Photographers with enough clients to support a big budget may have one lens in each category.
They might even have a few duplicates as backups. Others may shoot with only two or three lenses. The choice of a focal length also varies based on style. Some favour the separating power of a big lens. Others enjoy the storytelling feel of a wide-angle that captures the full scene. Lenses are difficult to judge based on tech specs alone. Renting is an affordable way to rest easy in your choice. Some rental companies will allow you to buy the lens that you rent if you like it.
If working with multiple camera bodies or there is adequate time for lens changes, fast prime lenses are an excellent choice for wedding photography. Their wide apertures allow lower ISO settings, faster action-stopping shutter speeds, and more-diffusely-blurred backgrounds in a package that is often smaller and lighter than the closest zoom equivalent.
While fast-focusing lenses are always better than slow focusing lenses, most of the action at a wedding is not usually going to stress AF speed performance in a lens. AF precision is always a top requirement, especially so with the shallow DOF delivered by wide aperture lenses. There is no Canon full frame equivalent to this ideal-for-wedding photography lens, and the IS should be the 1 wedding lens in an APS-C kit. While the full frame equivalent 88mm angle of view at 55mm is not long enough for tight head shots, the rest of your portrait framing needs should be covered.
You will have no problem framing larger groups with the 17mm angle of view. The L II is all about performance and reliability. This L lens delivers impressive as-good-as-it-gets standard zoom lens image quality. A prime lens goes a long way, especially for wedding photography. A lot of wedding photographers only use prime lenses during a wedding, but a professional photographer will have a prime, zoom, and macro in their bag. Prime lenses are favored over other types of lenses because of their speed and weight.
With a fixed focus, the glass can render much sharper images. The right zoom lens for shooting weddings enables you to play with different focal lengths, which helps you record the action without being a part of it—while also trying out perspectives you otherwise might not see. Most professional wedding photographers have a macro lens with them during weddings. Keep in mind that the lens you decide to use depends on the type of camera you use as well. This is a lens that will have you taking photos with that unique, dreamy, wedding-in-a-Disney-movie feel.
This 50mm lens offers an almost otherworldly feel that has yet to be imitated. But hey… bokeh, bokeh, bokeh! This is really one of the best canon lenses for shooting weddings? A tilt shift lens? For a wedding? But when used correctly, this 45mm lens can change your wedding photography game immensely. You can capture some striking shots of the location of the wedding as well as experiment with creative portrait shots of the couple.
Keep in mind that although this Canon lens can dramatically add to your collection of wedding lenses, we would suggest that you should only use it during quieter moments at the wedding for example, taking photos of the wedding space during dinner or if you have time during portraits. Every photographer agrees that macro lenses are expensive and not always worth it. But when it comes to photos of the ring, the dinner placement, and other seemingly small parts of the big day, details matter.
However, this lens boasts versatility and power unmatched by most lenses. In fact, many wedding photographers swear by it, bringing only this lens and a 50mm for portraits. The zoom on this lens enables you to shoot both up close and from a distance while still maintaining excellent quality and sharpness. One of the most important things you have to learn as a beginner is where to stand while shooting the different parts of the wedding.
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Wedding photography is unique in that it encompasses several genres of photography: fashion, portrait, architectural, product, macro, family, and sometimes even travel photography. Few genres demand more from photographers and their gear. So, the big day is soon around the corner.
You have everything ready to go if not, no worries. It takes a lot to plan for a wedding. The last thing you want is to invest money into something and later find that you got snipped. How many should … How many photos should…. Skip to content Home Videography What lens should I use for wedding photography?
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